Cortright’s choice of subject lands on the perfect place along the art history spectrum for this conversation. The dozen or so works are variations on the floral still life genre, and “Lucky Duck Lights Out,” the exhibition title, references two varieties of dahlia, the former a sunny yellow and the latter, a velvety scarlet(…) Read more on ARTILLERYMAG.
Hell On Earth Podcast Zine Launch
March 13th, 2019, 7pm
82 W 3rd St,
New York, NY 10012
Lu Yang videos burn themselves onto our retinas. Glaring and heady, they construct narratives of self-mutilation, which are used by the artist as a process of enlightenment. Both Yang’s best-known video installations, Delusional Mandala (2015) and Delusional Crime and Punishment (2016), tell the story of a bizarrely manufactured human figure (a 3D genderless simulation of Yang herself) stuck in limbo between a life of synthetic potential and its inevitable condemnation. Read more on Art Basel.
The Whitney Biennial 2019 is curated by Rujeko Hockley and Jane Panetta, the show runs from May 17 to September 22. Read more on Whitney Museum website.
Lu might be driven by a similar desire, joining the dots between Buddhism, neuroscience and biology in an oeuvre that resembles a manga franchise populated by a psychotic cast of gods, demons and cyborgs – as well as the artist herself. While Capra’s new-age tome sought to attune ‘modern’ scientific minds in the West to the ‘ancient wisdom’ of Eastern spirituality, Lu’s sciencefiction approach to religious iconography is a joyously accelerationist affair, fusing inquiries into consciousness and control in a dizzying cosmological cocktail. Read the full feature in Frieze Magazine.
Im Zweifelsfall ist das Material wichtiger als die Identität des Künstlers: Eine Schau in Frankfurt zeigt Arbeiten der amerikanischen Bildhauerin Bunny Rogers. Read in German on Süddeutsche Zeitung.
When artists experiment with virtual reality, they often lose themselves in the medium’s overwhelming possibilities. So A New Protocol VR v.1.2, 2018, the sole VR piece in Timur Si-Qin’s “East, South, West, North,” is a pleasant surprise. (…) Purchase full online access.
The first name that jumps to my mind is Lu Yang, surname Lu, a new media artist born and based in Shanghai, who we recently hosted here in Chicago for a talk. Her fame has shot up over recent years, and the work is fascinating.(…) Read more on artnet news.
The fact that people couldn’t enter made it a diorama, it flattened it. In a way, it was like a real life Neopets gallery. (…) Read full interview on Rhizome.
”The Art Happens Here: Net Art’s Archival Poetics” features sixteen works from throughout net art history, showcasing a wide range of forms—websites, software, sculpture, graphics, books, and merchandise—while offering a space for considering the internet as social process, material infrastructure, and lived experience. Among the works on view is Sister Unn’s (2012), an installation by Bunny Rogers and Filip Olszewski based on a mysterious storefront in Queens that led passersby to an equally enigmatic website, exemplifying the links between real and virtual space. On view at New Museum, New York.