Marianna Simnett

Marianna Simnett – Installation views
Espressioni con frazioni, 2022
Castello di Rivoli Museo d’Arte Contemporanea, Rivoli Torino
Photo Sebastiano Pellion
Installation views
Espressioni con frazioni, 2022
Castello di Rivoli Museo d’Arte Contemporanea, Rivoli Torino
Photo Sebastiano Pellion

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Marianna Simnett – Installation views
Espressioni con frazioni, 2022
Castello di Rivoli Museo d’Arte Contemporanea, Rivoli Torino
Photo Sebastiano Pellion
Installation views
Espressioni con frazioni, 2022
Castello di Rivoli Museo d’Arte Contemporanea, Rivoli Torino
Photo Sebastiano Pellion

2 / 2

Marianna Simnett – Film still
The Severed Tail, 2022
Film still
The Severed Tail, 2022

1 / 5

Marianna Simnett – Film still
The Severed Tail, 2022
Film still
The Severed Tail, 2022

2 / 5

Marianna Simnett – Film still
The Severed Tail, 2022
Film still
The Severed Tail, 2022

3 / 5

Marianna Simnett – Film still
The Severed Tail, 2022
Film still
The Severed Tail, 2022

4 / 5

Marianna Simnett – Film still
The Severed Tail, 2022
Film still
The Severed Tail, 2022

5 / 5

Marianna Simnett – Film still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and the Frans Hals Museum
Film Still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum

1 / 6

Marianna Simnett – Film still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and the Frans Hals Museum
Film Still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum

2 / 6

Marianna Simnett – Film still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and the Frans Hals Museum
Film Still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum

3 / 6

Marianna Simnett – Film still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and the Frans Hals Museum
Film Still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum

4 / 6

Marianna Simnett – Film still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and the Frans Hals Museum
Film Still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum

5 / 6

Marianna Simnett – Film still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and the Frans Hals Museum
Film Still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum

6 / 6

Marianna Simnett – Installation views
Faint with Light, 2016 
SEIZURE, Copenhagen Contemporary
Copenhagen, 2019
Installation view
Faint with Light, 2016
SEIZURE, Copenhagen Contemporary, Copenhagen, 2019
Courtesy: The Artist
Photo: Anders Sune Berg

1 / 5

Marianna Simnett – Installation views
Faint with Light, 2016 
SEIZURE, Copenhagen Contemporary
Copenhagen, 2019
Viewers watching Faint with Light, 2016
Zabludowicz Collection, London, 2018
Courtesy: The Artist
Photo: Tim Bowditch

2 / 5

Marianna Simnett – Installation views
Faint with Light, 2016 
SEIZURE, Copenhagen Contemporary
Copenhagen, 2019
Detail view
Faint with Light, 2016
Seventeen, New York
Courtesy: The Artist

3 / 5

Marianna Simnett – Installation views
Faint with Light, 2016 
SEIZURE, Copenhagen Contemporary
Copenhagen, 2019
Installation view
Faint with Light, 2016
SEIZURE, Copenhagen Contemporary, Copenhagen, 2019
Courtesy: The Artist
Photo: Anders Sune Berg

4 / 5

Marianna Simnett – Installation views
Faint with Light, 2016 
SEIZURE, Copenhagen Contemporary
Copenhagen, 2019
Installation view
Faint with Light, 2016
SEIZURE, Copenhagen Contemporary, Copenhagen, 2019
Courtesy: The Artist
Photo: Anders Sune Berg

5 / 5

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
City Gallery Wellington, New Zealand
Courtesy: The Artist

1 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
City Gallery Wellington, New Zealand
Courtesy: The Artist

2 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
Kunsthalle Zurich
Courtesy: The Artist
Photo: Annik Wetter

3 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
MMK, Museum für Moderne Kunst, Frankfurt
Courtesy: The Artist
Photo: Axel Schneider

4 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
MMK, Museum für Moderne Kunst, Frankfurt
Courtesy: The Artist
Photo: Axel Schneider

5 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
New Museum of Contemporary Art, New York
Courtesy: The Artist
Photo: Maris Hutchinson

6 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
IMA, Institute of Modern Art, Brisbane
Courtesy: The Artist
Photo: Carl Warner

7 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
MMK, Museum für Moderne Kunst, Frankfurt
Courtesy: The Artist
Photo: Axel Schneider

8 / 9

Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018
Installation view
Blood in My Milk, 2018
New Museum of Contemporary Art, New York
Courtesy: The Artist
Photo: Maris Hutchinson

9 / 9

Video excerpt Blood in My Milk, 2018. Courtesy: The Artist

Marianna Simnett – Covering, 2020
left to right: (barren), (bloodstock), (bloodstock)
Lenticular Animation
60 X 119 cm
Installation view
Covering (barren), 2020
Lenticular Animation
60 x 119 cm
Courtesy: The Artist and Galerie Stadt Sindelfingen

1 / 3

Marianna Simnett – Covering, 2020
left to right: (barren), (bloodstock), (bloodstock)
Lenticular Animation
60 X 119 cm
Covering (bloodstock), 2020
Lenticular Animation
60 X 119 cm
Courtesy: The Artist
Photo: Henning Krause

2 / 3

Marianna Simnett – Covering, 2020
left to right: (barren), (bloodstock), (bloodstock)
Lenticular Animation
60 X 119 cm
Covering (bloodstock), 2020
Lenticular Animation
60 X 119 cm
Courtesy: The Artist
Photo: Henning Krause

3 / 3

Marianna Simnett – Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch

1 / 6

Marianna Simnett – Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch

2 / 6

Marianna Simnett – Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch

3 / 6

Marianna Simnett – Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch

4 / 6

Marianna Simnett – Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch

5 / 6

Marianna Simnett – Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch

6 / 6

Marianna Simnett – Video still and Installation view
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries London
Video still
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries, London

1 / 3

Marianna Simnett – Video still and Installation view
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries London
Video still
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries, London

2 / 3

Marianna Simnett – Video still and Installation view
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries London
Installation view
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries, London

3 / 3

Marianna Simnett – Film still
Pillow, 2020
Courtesy: The Artist
Film still
Pillow, 2020
Courtesy: The Artist

1 / 3

Marianna Simnett – Film still
Pillow, 2020
Courtesy: The Artist
Film still
Pillow, 2020
Courtesy: The Artist

2 / 3

Marianna Simnett – Film still
Pillow, 2020
Courtesy: The Artist
Film still
Pillow, 2020
Courtesy: The Artist

3 / 3

Marianna Simnett – Video still
The Udder, 2014 
Courtesy: The Artist and Jerwood / FVU Awards
Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards

1 / 6

Marianna Simnett – Video still
The Udder, 2014 
Courtesy: The Artist and Jerwood / FVU Awards
Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards

2 / 6

Marianna Simnett – Video still
The Udder, 2014 
Courtesy: The Artist and Jerwood / FVU Awards
Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards

3 / 6

Marianna Simnett – Video still
The Udder, 2014 
Courtesy: The Artist and Jerwood / FVU Awards
Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards

4 / 6

Marianna Simnett – Video still
The Udder, 2014 
Courtesy: The Artist and Jerwood / FVU Awards
Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards

5 / 6

Marianna Simnett – Video still
The Udder, 2014 
Courtesy: The Artist and Jerwood / FVU Awards
Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards

6 / 6

Marianna Simnett – Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards

1 / 6

Marianna Simnett – Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards

2 / 6

Marianna Simnett – Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards

3 / 6

Marianna Simnett – Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards

4 / 6

Marianna Simnett – Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards

5 / 6

Marianna Simnett – Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards

6 / 6

Marianna Simnett – Video still
Blue Roses, 2015 
Courtesy: The Artist Comar, Tobermory
Video still
Blue Roses, 2015
Courtesy: The Artist and Comar, Tobermory

1 / 4

Marianna Simnett – Video still
Blue Roses, 2015 
Courtesy: The Artist Comar, Tobermory
Video still
Blue Roses, 2015
Courtesy: The Artist and Comar, Tobermory

2 / 4

Marianna Simnett – Video still
Blue Roses, 2015 
Courtesy: The Artist Comar, Tobermory
Video still
Blue Roses, 2015
Courtesy: The Artist and Comar, Tobermory

3 / 4

Marianna Simnett – Video still
Blue Roses, 2015 
Courtesy: The Artist Comar, Tobermory
Video still
Blue Roses, 2015
Courtesy: The Artist Comar, Tobermory

4 / 4

Marianna Simnett – Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery

1 / 5

Marianna Simnett – Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery

2 / 5

Marianna Simnett – Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery

3 / 5

Marianna Simnett – Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery

4 / 5

Marianna Simnett – Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery

5 / 5

Marianna Simnett – Video still
Tito's Dog, 2020 
Courtesy: The Artist
Video still
Tito's Dog, 2020
Courtesy: The Artist

1 / 4

Marianna Simnett – Video still
Tito's Dog, 2020 
Courtesy: The Artist
Video still
Tito's Dog, 2020
Courtesy: The Artist

2 / 4

Marianna Simnett – Video still
Tito's Dog, 2020 
Courtesy: The Artist
Video still
Tito's Dog, 2020
Courtesy: The Artist

3 / 4

Marianna Simnett – Video still
Tito's Dog, 2020 
Courtesy: The Artist
Video still
Tito's Dog, 2020
Courtesy: The Artist

4 / 4

Marianna Simnett – Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020 - ongoing
E.A.T. / Engadin Art Talks
IMA, Institute of Modern Art, Brisbane
Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
IMA, Institute of Modern Art, Brisbane
Courtesy: The Artist
Photo: Marc Pricop

1 / 3

Marianna Simnett – Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020 - ongoing
E.A.T. / Engadin Art Talks
IMA, Institute of Modern Art, Brisbane
Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
E.A.T / Engadin Art Talks, 2020
Courtesy: The Artist

2 / 3

Marianna Simnett – Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020 - ongoing
E.A.T. / Engadin Art Talks
IMA, Institute of Modern Art, Brisbane
Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
E.A.T / Engadin Art Talks, 2020
Courtesy: The Artist

3 / 3

Marianna Simnett – Confessions of a Crow, 2021 
Courtesy: The Artist, Film and Video Umbrella and The Rothschild Foundation 
Credit: Amy Gwatkin
Confessions of a Crow, 2021
Courtesy: the artist, Film and Video Umbrella and the Rothschild Foundation
Credit: Amy Gwatkin

1 / 1

Video excerpt. Confessions of a Crow, 2021. Courtesy: The Artist.

Interview. Uniqlo Tate Lates, 2021. Andrea Lissoni interviews Marianna Simnett on Bruce Nauman and his influence on her work. Followed by a screening of The Udder, 2014.

Interview. Curator Lisa Long speaks with artist Marianna Simnett, Faint with Light (2016). Julia Stoschek Collection, 2021.

Interview. Marianna Simnett on the Eerie Influence of Jonathan Glazer’s ’Under the Skin’. Frieze x Mubi, 2021.

Solo exhibitions and duo exhibitions, Screenings

2021

Uniqlo Tate Lates: Night In, an artist-led programme organized in occasion of the exhibition “Bruce Nauman”, Tate, London

CREATURE, City Gallery Wellington, Wellington

2020

CREATURE, IMA, Institute of Modern Art, Brisbane

2019

LAB RATS, Kunsthalle Zürich, Zürich, Switzerland
Bits of girls left out to dry, bits of boys left out to die, Disappearing Berlin, Schinkel Pavillon, Berlin, Germany
My Broken Animal, Frans Hals Museum, Haarlem, The Netherlands
LAB RATS, Kunsthalle Zürich, Zürich

Bits of girls left out to dry, bits of boys left out to die, Disappearing Berlin, Schinkel Pavillon, Berlin

My Broken Animal, Frans Hals Museum, Haarlem

Marianna Simnett & Ericka Beckman, FACT, Liverpool

SEIZURE, Copenhagen Contemporary, Copenhagen

2018

Screening and Q&A with Hans Ulrich Obrist and Claude Adjil, LOOP Festival, Barcelona

Marianna Simnett, Museum für Moderne Kunst, Frankfurt

Athens Biennale 2018: ANTI, Athens

Blood In My Milk, The New Museum, New York

The Udder. Introduced by Esther Leslie, Vdrome, www.vdrome.org

The Midden, The Cowles Center for Dance and the Performing Arts, Minneapolis

Marianna Simnett & Ericka Beckman, Zabludowicz Collection, London

Wing-sleepers, London Night Tube map & poster design, Art on the Underground, London

2017

Worst Gift, Matt’s Gallery, London

2016

Lies, Seventeen, New York

Valves Collapse, Seventeen, London

2015

Blue Roses, Park Nights, Serpentine Pavilion, London

2014

Marianna Simnett, Acme Project Space, London

Group exhibitions, Screenings

2022

British Art Show 9, Wolverhampton

Espressioni, The Epilgue, Castello di Rivoli, Turin

2021

A Higher Calling, White Space, Beijing

Dancing is What We Make of Falling 2, OGR, Officine Grandi Riparazioni, Turin

FIGURE/S: drawing after Bellmer, The Drawing Room, London

British Art Show 9, Aberdeen, Wolverhampton, Manchester, Plymouth

Studio Berlin, Berghain, Berlin

The Dreamers, 58th October Salon exhibition, Belgrade

The Holding Environment, Bonner Kunstverein, Bonn

A Fire in My Belly, Julia Stoschek Collection, Berlin

2020

Beyond the Pain, Stadt Sindelfingen, Stuttgart

Participation Mystique, Ming Contemporary Art Museum, Shanghai

Unprecedented Times, Kunsthaus Bregenz, Bregenz

Me, Family, MUDAM, Grand Duke Jean Museum of Modern Art, Luxembourg

2019

It’s Urgent! – Part II, Luma Westbau, Zürich

The Body Electric, YBCA, San Francisco

Without Voice, Maison Conti Institut d’art contemporain Ange Leccia, Oletta

My Head Is A Haunted House, Sadie Coles, London

Straying From The Line, Schinkel Pavillon, Berlin

The Body Electric, Walker Art Center, Minneapolis

The Violence of Gender, Tai Kwun Contemporary, Hong Kong

2018

The Needle & The Larynx, Channel 4 Random Acts, UK TV

Health Show II, Skin.Cells, A.I.R. Gallery, New York

2017

MFJ65 Launch, Anthology Film Archives, New York

Brace Brace, 29 Percy Street, London

Borealis Festival, Bergen Kunsthall, Bergen

Possibility of Preserving, Kunsthalle Bratislava, Bratislava

Dark Water – A night of performance and screenings programmed by Tai Shani & A – Z (Anne Duffau), Southwark Park Galleries, London