Marianna Simnett, artist, Société Berlin

Marianna Simnett – Film still
The Severed Tail, 2022 — Film still
The Severed Tail, 2022

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Marianna Simnett – Film still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and the Frans Hals Museum — Film Still
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum

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Marianna Simnett – Installation views
Faint with Light, 2016
SEIZURE, Copenhagen Contemporary
Copenhagen, 2019 — Installation view
Faint with Light, 2016
SEIZURE, Copenhagen Contemporary, Copenhagen, 2019
Courtesy: The Artist
Photo: Anders Sune Berg

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Marianna Simnett – Installation views
Blood in My Milk
New Museum
New York, 2018 — Installation view
Blood in My Milk, 2018
City Gallery Wellington, New Zealand
Courtesy: The Artist

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Video excerpt Blood in My Milk, 2018. Courtesy: The Artist

Marianna Simnett – Covering, 2020
left to right: (barren), (bloodstock), (bloodstock)
Lenticular Animation
60 X 119 cm — Installation view
Covering (barren), 2020
Lenticular Animation
60 x 119 cm
Courtesy: The Artist and Galerie Stadt Sindelfingen

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Marianna Simnett – Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch — Installation views
Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch

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Marianna Simnett – Video still and Installation view
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries London — Video still
The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries, London

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Marianna Simnett – Film still
Pillow, 2020
Courtesy: The Artist — Film still
Pillow, 2020
Courtesy: The Artist

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Marianna Simnett – Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards — Video still
The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards

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Marianna Simnett – Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards — Video still
Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards

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Marianna Simnett – Video still
Blue Roses, 2015
Courtesy: The Artist Comar, Tobermory — Video still
Blue Roses, 2015
Courtesy: The Artist and Comar, Tobermory

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Marianna Simnett – Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery — Video still
Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery

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Marianna Simnett – Video still
Tito's Dog, 2020
Courtesy: The Artist — Video still
Tito's Dog, 2020
Courtesy: The Artist

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Marianna Simnett – Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020 - ongoing
E.A.T. / Engadin Art Talks
IMA, Institute of Modern Art, Brisbane — Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
IMA, Institute of Modern Art, Brisbane
Courtesy: The Artist
Photo: Marc Pricop

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Performance documentation
Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
E.A.T / Engadin Art Talks, 2020
Courtesy: The Artist

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Marianna Simnett – Confessions of a Crow, 2021
Courtesy: The Artist, Film and Video Umbrella and The Rothschild Foundation
Credit: Amy Gwatkin — Confessions of a Crow, 2021
Courtesy: the artist, Film and Video Umbrella and the Rothschild Foundation
Credit: Amy Gwatkin

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Video excerpt. Confessions of a Crow, 2021. Courtesy: The Artist.

Interview. Uniqlo Tate Lates, 2021. Andrea Lissoni interviews Marianna Simnett on Bruce Nauman and his influence on her work. Followed by a screening of The Udder, 2014.

Interview. Curator Lisa Long speaks with artist Marianna Simnett, Faint with Light (2016). Julia Stoschek Collection, 2021.

Interview. Marianna Simnett on the Eerie Influence of Jonathan Glazer’s ’Under the Skin’. Frieze x Mubi, 2021.

Solo exhibitions and duo exhibitions, Screenings


2021	Uniqlo Tate Lates: Night In, an artist-led programme organized in occasion of the exhibition “Bruce Nauman”, Tate, London CREATURE, City Gallery Wellington, Wellington
2020	CREATURE, IMA, Institute of Modern Art, Brisbane
2019	LAB RATS, Kunsthalle Zürich, Zürich, Switzerland Bits of girls left out to dry, bits of boys left out to die, Disappearing Berlin, Schinkel Pavillon, Berlin, Germany My Broken Animal, Frans Hals Museum, Haarlem, The Netherlands LAB RATS, Kunsthalle Zürich, Zürich Bits of girls left out to dry, bits of boys left out to die, Disappearing Berlin, Schinkel Pavillon, Berlin My Broken Animal, Frans Hals Museum, Haarlem Marianna Simnett & Ericka Beckman, FACT, Liverpool SEIZURE, Copenhagen Contemporary, Copenhagen
2018	Screening and Q&A with Hans Ulrich Obrist and Claude Adjil, LOOP Festival, Barcelona Marianna Simnett, Museum für Moderne Kunst, Frankfurt Athens Biennale 2018: ANTI, Athens Blood In My Milk, The New Museum, New York The Udder. Introduced by Esther Leslie, Vdrome, www.vdrome.org The Midden, The Cowles Center for Dance and the Performing Arts, Minneapolis Marianna Simnett & Ericka Beckman, Zabludowicz Collection, London Wing-sleepers, London Night Tube map & poster design, Art on the Underground, London
2017	Worst Gift, Matt’s Gallery, London
2016	Lies, Seventeen, New York Valves Collapse, Seventeen, London
2015	Blue Roses, Park Nights, Serpentine Pavilion, London
2014	Marianna Simnett, Acme Project Space, London

Group exhibitions, Screenings

2022	British Art Show 9, Wolverhampton Espressioni, The Epilgue, Castello di Rivoli, Turin
2021	A Higher Calling, White Space, Beijing Dancing is What We Make of Falling 2, OGR, Officine Grandi Riparazioni, Turin FIGURE/S: drawing after Bellmer, The Drawing Room, London British Art Show 9, Aberdeen, Wolverhampton, Manchester, Plymouth Studio Berlin, Berghain, Berlin The Dreamers, 58th October Salon exhibition, Belgrade The Holding Environment, Bonner Kunstverein, Bonn A Fire in My Belly, Julia Stoschek Collection, Berlin
2020	Beyond the Pain, Stadt Sindelfingen, Stuttgart Participation Mystique, Ming Contemporary Art Museum, Shanghai Unprecedented Times, Kunsthaus Bregenz, Bregenz Me, Family, MUDAM, Grand Duke Jean Museum of Modern Art, Luxembourg
2019	It’s Urgent! – Part II, Luma Westbau, Zürich The Body Electric, YBCA, San Francisco Without Voice, Maison Conti Institut d’art contemporain Ange Leccia, Oletta My Head Is A Haunted House, Sadie Coles, London Straying From The Line, Schinkel Pavillon, Berlin The Body Electric, Walker Art Center, Minneapolis The Violence of Gender, Tai Kwun Contemporary, Hong Kong
2018	The Needle & The Larynx, Channel 4 Random Acts, UK TV Health Show II, Skin.Cells, A.I.R. Gallery, New York
2017	MFJ65 Launch, Anthology Film Archives, New York Brace Brace, 29 Percy Street, London Borealis Festival, Bergen Kunsthall, Bergen Possibility of Preserving, Kunsthalle Bratislava, Bratislava Dark Water – A night of performance and screenings programmed by Tai Shani & A – Z (Anne Duffau), Southwark Park Galleries, London