Blood In My Milk
Dark Mofo
Australia, 2022
Photo Rosie Hastie
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Blood In My Milk
Dark Mofo
Australia, 2022
Photo Rosie Hastie
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Blood In My Milk
Dark Mofo
Australia, 2022
Photo Rosie Hastie
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Espressioni con frazioni, 2022
Castello di Rivoli Museo d’Arte Contemporanea, Rivoli Torino
Photo Sebastiano Pellion
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Espressioni con frazioni, 2022
Castello di Rivoli Museo d’Arte Contemporanea, Rivoli Torino
Photo Sebastiano Pellion
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The Severed Tail, 2022
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The Severed Tail, 2022
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The Severed Tail, 2022
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The Severed Tail, 2022
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The Severed Tail, 2022
5 / 5
The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum
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The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum
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The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum
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The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum
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The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum
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The Bird Game, 2019
Courtesy: The Artist, FVU, The Rothschild Foundation and Frans Hals Museum
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Faint with Light, 2016
SEIZURE, Copenhagen Contemporary, Copenhagen, 2019
Courtesy: The Artist
Photo: Anders Sune Berg
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Zabludowicz Collection, London, 2018
Courtesy: The Artist
Photo: Tim Bowditch
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Faint with Light, 2016
Seventeen, New York
Courtesy: The Artist
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Faint with Light, 2016
SEIZURE, Copenhagen Contemporary, Copenhagen, 2019
Courtesy: The Artist
Photo: Anders Sune Berg
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Faint with Light, 2016
SEIZURE, Copenhagen Contemporary, Copenhagen, 2019
Courtesy: The Artist
Photo: Anders Sune Berg
5 / 5
Blood in My Milk, 2018
City Gallery Wellington, New Zealand
Courtesy: The Artist
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Blood in My Milk, 2018
City Gallery Wellington, New Zealand
Courtesy: The Artist
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Blood in My Milk, 2018
Kunsthalle Zurich
Courtesy: The Artist
Photo: Annik Wetter
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Blood in My Milk, 2018
MMK, Museum für Moderne Kunst, Frankfurt
Courtesy: The Artist
Photo: Axel Schneider
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Blood in My Milk, 2018
MMK, Museum für Moderne Kunst, Frankfurt
Courtesy: The Artist
Photo: Axel Schneider
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Blood in My Milk, 2018
New Museum of Contemporary Art, New York
Courtesy: The Artist
Photo: Maris Hutchinson
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Blood in My Milk, 2018
IMA, Institute of Modern Art, Brisbane
Courtesy: The Artist
Photo: Carl Warner
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Blood in My Milk, 2018
MMK, Museum für Moderne Kunst, Frankfurt
Courtesy: The Artist
Photo: Axel Schneider
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Blood in My Milk, 2018
New Museum of Contemporary Art, New York
Courtesy: The Artist
Photo: Maris Hutchinson
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Video excerpt Blood in My Milk, 2018. Courtesy: The Artist
Covering (barren), 2020
Lenticular Animation
60 x 119 cm
Courtesy: The Artist and Galerie Stadt Sindelfingen
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Lenticular Animation
60 X 119 cm
Courtesy: The Artist
Photo: Henning Krause
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Lenticular Animation
60 X 119 cm
Courtesy: The Artist
Photo: Henning Krause
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Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
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Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
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Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
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Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
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Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
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Hyena and Swan in the Midst of Sexual Congress, 2019
My Head is a Haunted House, curated by Charlie Fox
Sadie Coles HQ
London, 2019
Photo: Tim Bowditch
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The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries, London
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The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries, London
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The Needle and Larynx, 2016
Courtesy: The Artist and Serpentine Galleries, London
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Pillow, 2020
Courtesy: The Artist
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Pillow, 2020
Courtesy: The Artist
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Pillow, 2020
Courtesy: The Artist
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The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards
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The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards
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The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards
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The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards
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The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards
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The Udder, 2014
Courtesy: The Artist and Jerwood / FVU Awards
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Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
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Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
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Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
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Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
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Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
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Blood, 2015
Courtesy: The Artist and Jerwood / FVU Awards
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Blue Roses, 2015
Courtesy: The Artist and Comar, Tobermory
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Blue Roses, 2015
Courtesy: The Artist and Comar, Tobermory
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Blue Roses, 2015
Courtesy: The Artist and Comar, Tobermory
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Blue Roses, 2015
Courtesy: The Artist Comar, Tobermory
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Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
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Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
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Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
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Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
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Worst Gift, 2017
Courtesy: The Artist and Matt's Gallery
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Tito's Dog, 2020
Courtesy: The Artist
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Tito's Dog, 2020
Courtesy: The Artist
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Tito's Dog, 2020
Courtesy: The Artist
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Tito's Dog, 2020
Courtesy: The Artist
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Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
IMA, Institute of Modern Art, Brisbane
Courtesy: The Artist
Photo: Marc Pricop
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Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
E.A.T / Engadin Art Talks, 2020
Courtesy: The Artist
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Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don't speak bird, 2020
E.A.T / Engadin Art Talks, 2020
Courtesy: The Artist
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Courtesy: the artist, Film and Video Umbrella and the Rothschild Foundation
Credit: Amy Gwatkin
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Video excerpt. Confessions of a Crow, 2021. Courtesy: The Artist.
Interview. Uniqlo Tate Lates, 2021. Andrea Lissoni interviews Marianna Simnett on Bruce Nauman and his influence on her work. Followed by a screening of The Udder, 2014.
Interview. Curator Lisa Long speaks with artist Marianna Simnett, Faint with Light (2016). Julia Stoschek Collection, 2021.
Interview. Marianna Simnett on the Eerie Influence of Jonathan Glazer’s ’Under the Skin’. Frieze x Mubi, 2021.
Solo exhibitions and duo exhibitions, Screenings
| 2022 | THE MILK OF DREAMS, 59th International Art Exhibition of La Biennale di Venezia, Venice, Italy Espressioni, The Epilgue, Castello di Rivoli, Turin DARK MOFO, Video Festival, Hobart Prize of the Böttcherstraße, Kunsthalle Bremen, Bremen Videoart at Midnight, artists‘ cinema project, Berlin |
| 2021 | Uniqlo Tate Lates: Night In, an artist-led programme organized in occasion of the exhibition “Bruce Nauman”, Tate, London CREATURE, City Gallery Wellington, Wellington |
| 2020 | CREATURE, IMA, Institute of Modern Art, Brisbane |
| 2019 | LAB RATS, Kunsthalle Zürich, Zürich Bits of girls left out to dry, bits of boys left out to die, Disappearing Berlin, Schinkel Pavillon, Berlin My Broken Animal, Frans Hals Museum, Haarlem Marianna Simnett & Ericka Beckman, FACT, Liverpool SEIZURE, Copenhagen Contemporary, Copenhagen |
| 2018 | Screening and Q&A with Hans Ulrich Obrist and Claude Adjil, LOOP Festival, Barcelona Marianna Simnett, Museum für Moderne Kunst, Frankfurt Athens Biennale 2018: ANTI, Athens Blood In My Milk, The New Museum, New York The Udder. Introduced by Esther Leslie, Vdrome, www.vdrome.org The Midden, The Cowles Center for Dance and the Performing Arts, Minneapolis Marianna Simnett & Ericka Beckman, Zabludowicz Collection, London Wing-sleepers, London Night Tube map & poster design, Art on the Underground, London |
| 2017 | Worst Gift, Matt’s Gallery, London |
| 2016 | Lies, Seventeen, New York Valves Collapse, Seventeen, London |
| 2015 | Blue Roses, Park Nights, Serpentine Pavilion, London |
| 2014 | Marianna Simnett, Acme Project Space, London |
Group exhibitions, Screenings
| 2022 | British Art Show 9, Wolverhampton Espressioni, The Epilgue, Castello di Rivoli, Turin Interspecies/ and other others, Abbotsford Convent Pecinct, Abbotsford, Canada |
| 2021 | A Higher Calling, White Space, Beijing Dancing is What We Make of Falling 2, OGR, Officine Grandi Riparazioni, Turin FIGURE/S: drawing after Bellmer, The Drawing Room, London British Art Show 9, Aberdeen, Wolverhampton, Manchester, Plymouth Studio Berlin, Berghain, Berlin The Dreamers, 58th October Salon exhibition, Belgrade The Holding Environment, Bonner Kunstverein, Bonn A Fire in My Belly, Julia Stoschek Collection, Berlin |
| 2020 | Beyond the Pain, Stadt Sindelfingen, Stuttgart Participation Mystique, Ming Contemporary Art Museum, Shanghai Unprecedented Times, Kunsthaus Bregenz, Bregenz Me, Family, MUDAM, Grand Duke Jean Museum of Modern Art, Luxembourg |
| 2019 | It’s Urgent! – Part II, Luma Westbau, Zürich The Body Electric, YBCA, San Francisco Without Voice, Maison Conti Institut d’art contemporain Ange Leccia, Oletta My Head Is A Haunted House, Sadie Coles, London Straying From The Line, Schinkel Pavillon, Berlin The Body Electric, Walker Art Center, Minneapolis The Violence of Gender, Tai Kwun Contemporary, Hong Kong |
| 2018 | The Needle & The Larynx, Channel 4 Random Acts, UK TV Health Show II, Skin.Cells, A.I.R. Gallery, New York |
| 2017 | MFJ65 Launch, Anthology Film Archives, New York Brace Brace, 29 Percy Street, London Borealis Festival, Bergen Kunsthall, Bergen Possibility of Preserving, Kunsthalle Bratislava, Bratislava Dark Water – A night of performance and screenings programmed by Tai Shani & A – Z (Anne Duffau), Southwark Park Galleries, London |