
HIVE MIND
Société
Berlin, 2021
1 / 10

HIVE MIND
Société
Berlin, 2021
2 / 10

HIVE MIND
Société
Berlin, 2021
3 / 10

HIVE MIND
Société
Berlin, 2021
4 / 10

HIVE MIND
Société
Berlin, 2021
5 / 10

HIVE MIND
Société
Berlin, 2021
6 / 10

HIVE MIND
Société
Berlin, 2021
7 / 10

HIVE MIND
Société
Berlin, 2021
8 / 10

HIVE MIND
Société
Berlin, 2021
9 / 10

Acrylic on canvas
186 x 265.5 x 4.5 cm
10 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
1 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
2 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
3 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
4 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
5 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
6 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
7 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
8 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
9 / 10

HOPE, Illumination of the Fridericianum on U.S. Election Day
Fridericianum
Kassel, 2020
10 / 10

the eye, the eye and the ear
Hangar Bicocca
Milan, 2020
1 / 7

the eye, the eye and the ear
Hangar Bicocca
Milan, 2020
2 / 7

the eye, the eye and the ear
Hangar Bicocca
Milan, 2020
3 / 7

the eye, the eye and the ear
Hangar Bicocca
Milan, 2020
4 / 7

the eye, the eye and the ear
Hangar Bicocca
Milan, 2020
5 / 7

the eye, the eye and the ear
Hangar Bicocca
Milan, 2020
6 / 7

the eye, the eye and the ear
Hangar Bicocca
Milan, 2020
7 / 7

The Pelvic Floor
2018
1 / 1

BIOLOGUE. A New Musical
356 Mission
Los Angeles, 2017
1 / 4

BIOLOGUE. A New Musical
356 Mission
Los Angeles, 2017
2 / 4

BIOLOGUE. A New Musical
356 Mission
Los Angeles, 2017
3 / 4

BIOLOGUE. A New Musical
356 Mission
Los Angeles, 2017
4 / 4

LOAF
Société
Berlin, 2016
1 / 7

LOAF
Société
Berlin, 2016
2 / 7

LOAF
Société
Berlin, 2016
3 / 7

LOAF
Société
Berlin, 2016
4 / 7

LOAF
Société
Berlin, 2016
5 / 7

Glazed ceramic
6.4 x 10.2 x 8.3 cm
6 / 7

Glazed ceramic
21 x 43 x 48 cm
7 / 7

Flatlands
Whitney Museum of American Art
New York, 2016
1 / 1
Solo exhibitions
2022 | Grainy Pixels, Société, Berlin |
2021 | Hive Mind, Société, Berlin |
2020 | HOPE, Illumination of the Fridericianum on U.S. Election Day, Fridericianum, Kassel The eye, the eye and the ear, Pirelli Hangar Bicocca, Milan |
2019 | Winter‘s Springs, Galeria Marta Cervera, Madrid |
2018 | MOLLUSCA AND THE PELVIC FLOOR, Greene Naftali, New York Biologue, Gallery TPW, Toronto |
2017 | BIOLOGUE A New “Musical” by Trisha Baga, 356 Mission, Los Angeles |
2016 | LOAF, Société, Berlin |
2015 | Orlando, Greene Naftali, New York |
2014 | Free Internet, Gio Marconi, Milan Zabludowicz Collection, London |
2013 | Gravity, Peep-Hole, Milan Florida, Société, Berlin |
2012 | Holiday, Dundee Contemporary Arts, Dundee The Biggest Circle, Greene Naftali Gallery, New York Plymouth Rock 2, Whitney Museum of American Art, New York World Peace, Kunstverein München, Munich Rock, Vilma Gold, London |
2011 | Trisha Baga: Performative Screening, EAI, New York |
Group exhibitions
2022 | Fervor, Cibrian gallery, San Sebastián Future Ages Will Wonder, Fact, Liverpool Biennial at Basement Roma, Rome |
2021 | The Modern Dog Painter, curated by Martin Bethenod and Charles Hascöet, New Galerie, Paris Wild Frictions: The Politics and Poetics of Interruption, Contemporary Arts Center, Cincinnati Wild Frictions: Politische Poesien der Störung, Kunstraum Kreuzberg, Berlin Clay Pop, curated by Alia Williams, Jeffrey Deitch, New York Ceramics Now, Jane Hartsook Gallery, Greenwich House Pottery, New York State of Motion, Marina One, Singapore John Dewey, Who? New Presentation Of The Collection Of Contemporary Art, Museum Ludwig, Köln |
2020 | Magical Soup, Hamburger Bahnhof, Berlin |
2019 | The Body Electric, Yerba Buena Center for the Arts, San Francisco Hysterical Mining, Kunsthalle Wien, Vienna |
2018 | 3D: Double Vision, LACMA, Los Angeles |
2017 | Biennale für aktuelle Fotografie, Ludwigshafen am Rhein Eighteen Hundred Showers, Simone Subal Gallery, New York |
2016 | A Composition of Intimate and Public Truths, Disjecta, Portland Nam June Paik Award 2016, Museum Folkwang, Essen Dreamlands: Immersive Cinema and Art, 1905–2016, Whitney Museum of American Art, New York Biennale of Moving Images (BIM), Centre d‘Art Contemporain Genéve, Geneva Development, Okayama Art Summit 2016, Okayama Nothing Conceptual: La Meme Era @ La Barra de Paquito, Embajada, San Juan Quetzal Art Centre, Vidigueira Perfect Lives, Kunstverein Göttingen, Göttingen Onion By The Ocean, Underdonk, New York Manifesta 11, European Biennial of Contemporary Art, Zurich default, Honor Fraser Gallery, Los Angeles Seven on Seven, New Museum, New York Secret Surface. Where Meaning Materializes, KW Institute for Contemporary Art, Berlin Ceramics Now, Greenwich House Pottery, New York |
2015 | Works on Paper, Greene Naftali, New York Co-workers, Musée d’Art Moderne, Paris Strange Pilgrims, The Contemporary Austin, Austin Concentrations 59: Mirror Stage -Visualizing the Self After the Internet, Dallas Museum of Art, Dallas The New Human: You and I in Global Wonderland, Moderna Museet, Malmö YES WE‘RE OPEN, Giò Marconi, Milan Cadence Exits, Proxy Gallery, Rhode Island |
2014 | Private settings, Art after the Internet, Museum of Modern Art, Warsaw High Performance, curated by Bernhard Serexhe & Julia Stoschek, Riga Art Space, Riga Forget Amnesia (with Jessica Stead), Volcano Extravaganza festival, Fiorucci Art Trust, Stromboli Sequence 5, Miguel Abreu Gallery, New York That Singing Voice, curated by Matt Moravec, Galería Marta Cervera, Madrid Apples and Pears, Drei, Cologne Dark Velocity, CCS Bard, Annadale-on-Hudson Abscess, Rectum, Septum, Cave Ramiken Crucible, Cueva Archillas, Puerto Rico |
2013 | The Stand In (or A Glass of Milk), Public Fiction, Los Angeles Frieze Sounds Program, London Meanwhile……Suddenly and Then, 12th Biennale de Lyon, curated by Gunnar B. Kvaran, Lyon Trisha Baga & NO BROW, Galerie Emanuel Layr, Vienna Hercules Radio, Frieze Sounds Program, New York The Magnificient Obsession, MART, Rovereto |
2012 | Paraphantoms, Temporary Gallery, Cologne Inside Out, Kunsthaus Dresden, Dresden Troubling Spaces, Zabludowicz Collection, London Soundworks, Institute of Contemporary Art, London Entrance Entrance, Temple Bar and Gallery, Dublin Between Commissions, The Cornerhouse, Manchester You Told Me the Other Night, West street Gallery, New York |
2011 | This is Tomorrow, Annarumma Gallery, Naples Open File, Grand Union, Birmingham Sandwich pedestrian mysticism sandwich sonata, Johann Koenig Gallery, Berlin The Event, Grand Union, Birmingham Fernando, Franklin Street Works, Stamford Hasta Mañana, Greene Naftali Gallery, New York 14 & 15, Curated by David Muenzer, The Lipstick Building / New York The Great White Way Goes Black, Vilma Gold, London Trisha Baga, Migration Forms Festival, Anthology Film Archives, New York Rectangle with the Sound of Its Own Making, The Fourth Wall at Vox Populi, Philadelphia Alias, Bunker Sztuki, Contemporary Art Museum of Krakow, Krakow |
2010 | En el Barrio de Gavin Black through evas arche und der Feminist, Gavin Brown´s Enterprise, Curated by Pati Hertling, New York In the Company of, curated by Terri Smith, Housatonic Museum of Art, Bridgeport The Pursuer, Greene Naftali Gallery, New York Greater New York Cinema Program, PS1, New York Beside Himself, curated by Terri Smith, Ditch Projects, Springfield Hardcorps: Movement Research Festival 2010, Center for Performance Research, New York Alphabet Soup, The Creative Alliance, Baltimore A Failed Entertainment: Selections from the Filmography of James O.Incandenza, The Leroy Neiman Gallery at Columbia University, New York |
2009 | Adventures Close to Home, curated by Peggy Ahwesh, Anthology Film Archives, New York Los Solos II, curated by Bonnie Jones, The Load of Fun Theater, Baltimore The Fuzzy Set, curated by Pilar Conde, LAXART, Los Angeles Then and Now, LGBT Community Center, New York |
2008 | Our Bodies, Our Selves, Curated by A.L. Steiner, El Centro Cultural Montehermoso, Vitoria-Gasteiz Betweeen Us…, curated by Meghan Dellacrosse, Leo Koenig Gallery, Andes Salad Days 3, Artist’s Space, New York Intermission, Art-In-General’s Audio in the Elevator Program, New York |
2007 | Thank God for My Beautiful Black Locks of Golden Black Hair, Cooper Union’s Houghton Gallery, New York |