These Are the 7 New Galleries to Keep an Eye On at Art Basel

Berlin-based Société Gallery has chosen to focus its presentation on works that explore the impact of digital life on society. Bunny Rogers’s Neopets, sculptures of digital animal companions, asks us to consider the divide between real life and cyber life. Read more on AD.LINEBREAK

Vienna Biennale: “Hysterical Mining” in der Kunsthalle

Mit der US-Künstlerin Trisha Baga wird ein gefragter Millennial präsentiert. Die New Yorkerin steuert zur Schau Keramiken in Form eines Toasters oder eines Mikroskops, Ölfarben auf Wackelbildern und ein 3D-Video bei. Read more in German on der Standard.LINEBREAK

Seeing China Through Art, Not Politics

There was “Electromagnetic Brainology” by Lu Yang, a dizzying installation of godlike animated figures and “Expected Departure,” by Leung Mee Ping, featuring X-rays of dozens of airline sick bags the artist had collected over years of travel. (…) Read more on The New York Times.LINEBREAK

Petra Cortright – Pink_Para_1stchoice – Times Square

Pink_Para_1stchoice is a little-shown companion work to Cortright’s DRK PARA. The video is constructed using multiple chains of standard-issue webcam filters, all running as the artist watches herself in the computer screen while singing along to a song we cannot hear. Come view the work nightly in May from 11:57pm-midnight at Times Square.LINEBREAK

Artvisor’s Frieze New York 2019 Highlights

Lu Yang‘s disorientating and fantastical visions at Société‘s booth also drew crowds who seemed more intent on new discoveries than the standard blue chip material that this year’s fair calendar has supplied the already crowded art world circuit since the start of the year. Read more on Artvisor.LINEBREAK

10 exhibitions not to miss at this year’s Gallery Weekend Berlin

Société presents a series of works that question the semiotics and cultural symbolism of contemporary objects in the exhibition Why Always Me? by Swiss artist Kaspar Müller. Müller investigates the tropes and myths that define modern culture with a display of motifs that range from kitsch to highly stylised. Read more on Sleek.LINEBREAK

Innocence Impossible: Bunny Rogers

Bunny Rogers’s practice depicts the impossibility of pure innocence. It concerns topics ranging from school shootings to the agency of nonhuman animals, the sexualization of children, and the romanticization of dying young. This essay traces the persistence of these themes through her expansive body of work, focusing on her deployment of cute objects as both material and metaphor. Read the full essay by Emily Watlington on Mousse Magazine.LINEBREAK

Our 5 favorite booths at Art Basel Hong Kong

Dazzling electric blazes, Manga dream girls, rainbow iridescent walls and forms closing in from every direction—step into Shanghai artist Lu Yang’s illusion cube and enter a dimension of her own making. Read more on Cultured.LINEBREAK

The 10 Best Booths at Art Basel in Hong Kong

If you’re yearning for sensory overload, head directly to Société’s solo presentation of the young Chinese artist Lu Yang. For the fair, Lu created four films (all 2019) featuring four different characters—half-robots, half-gods—which play on elevated screens, while lightboxes in the same style hang on the walls. Read more on Artsy.LINEBREAK

The artist Bunny Rogers is making the macabre optimistic

“I feel like I have a soul now,” Bunny Rogers said on the phone from Frankfurt, days after the opening of her exhibition Pectus Excavatum at the Museum für Moderne Kunst. Following her 2017 Whitney solo exhibition Brig Und Ladder, which served to complete a trilogy of installations about the Columbine High School massacre, the American-born artist retreated into a year-long hermitage. Read more on Interview.LINEBREAK

Bunny Rogers discusses “Pectus Excavatum” at MMK Frankfurt

Questioning how much we think we know, especially within a broader consideration of animal intelligence, is one of the main focuses of the show at MMK Frankfurt. I define intelligence as sensitivity, and in those terms, animals such as squid, octopi, and whales are indicative of the extreme sensory capabilities that we’ve barely scraped the surface of. Read and watch on ARTFORUM.LINEBREAK

Tiefe Blicke in die Teenagerseele

Über die Lebensweise von Riesenkalmaren und Teenagern ist wenig bekannt, das legt zumindest eine Ausstellung in Frankfurt nahe. Wie die Künstlerin Bunny Rogers tief in die Welt der Adoleszenz blicken lässt. Read in German on Monopol Magazine.LINEBREAK

Petra Cortright at 1301PE

Cortright’s choice of subject lands on the perfect place along the art history spectrum for this conversation. The dozen or so works are variations on the floral still life genre, and “Lucky Duck Lights Out,” the exhibition title, references two varieties of dahlia, the former a sunny yellow and the latter, a velvety scarlet(…) Read more on ARTILLERYMAG.LINEBREAK

Mortality in the digital age: the many deaths of Lu Yang

Lu Yang videos burn themselves onto our retinas. Glaring and heady, they construct narratives of self-mutilation, which are used by the artist as a process of enlightenment. Both Yang’s best-known video installations, Delusional Mandala (2015) and Delusional Crime and Punishment (2016), tell the story of a bizarrely manufactured human figure (a 3D genderless simulation of Yang herself) stuck in limbo between a life of synthetic potential and its inevitable condemnation. Read more on Art Basel.LINEBREAK

Technofuturistic imagery of video artist Lu Yang

Lu might be driven by a similar desire, joining the dots between Buddhism, neuroscience and biology in an oeuvre that resembles a manga franchise populated by a psychotic cast of gods, demons and cyborgs – as well as the artist herself. While Capra’s new-age tome sought to attune ‘modern’ scientific minds in the West to the ‘ancient wisdom’ of Eastern spirituality, Lu’s sciencefiction approach to religious iconography is a joyously accelerationist affair, fusing inquiries into consciousness and control in a dizzying cosmological cocktail. Read the full feature in Frieze Magazine.LINEBREAK

Eisberg voraus

Im Zweifelsfall ist das Material wichtiger als die Identität des Künstlers: Eine Schau in Frankfurt zeigt Arbeiten der amerikanischen Bildhauerin Bunny Rogers. Read in German on Süddeutsche Zeitung.LINEBREAK