LINEBREAKLINEBREAKLINEBREAKLINEBREAKOrganized by Living Content in partnership with Times Square Space, Living Content Live is a full day event consisting of talks, presentations, screenings, and performances, by some of the most thought-provoking contemporary artists, writers, and curators. Dealing with topics such as ecology, feminism, technology, and knowledge production, the featured speakers will present unique insights into their practices and their discourses. Read more on Living Content website LINEBREAKLINEBREAKLINEBREAKLINEBREAKLINEBREAK
Petra Cortright’s first public art installation in Korea currently on view at Doota Plaza, Seoul until 28th of October, 2018. Watch full interview with Petra on YouTube.LINEBREAK
Trisha Baga’s brand of weirdness draws from science fiction, spiritualism and contemporary oracles like Wikipedia and Alexa, the digital personal assistant. As art, it takes the form of a psychedelic 3-D video installation, ceramic sculptures in various sizes and paintings on lenticular photographs in the show “Mollusca & the Pelvic Floor” at Greene Naftali. Read more on The New York Times.LINEBREAK
Sean Raspet discusses the corporation as a form of artistic practice, Nonbar prototype 2 (with sesame seeds), and scent rights. Read more on The creative independent websiteLINEBREAK
The L.A.-based artist was commissioned by the Seoul shopping center for a new large-scale public art installation, which was unveiled today. Working with Korean creative agency SketchedSpace, which produced the project, Cortright created new digital paintings which “skin” the building’s facade, as well as 17 large flags bearing her designs. Read more on WWDLINEBREAK
Bunny Rogers: INATTENTION on view at Marciano Art Foundation
Bunny Rogers: INATTENTION on view now at Marciano Art Foundation.LINEBREAKSeptember 1, 2018 – January 6, 2019LINEBREAK
Trisha Baga’s third exhibition at Greene Naftali is also her most ambitious. “Mollusca & The Pelvic Floor,” like its cosmically hilarious and dizzyingly psychedelic predecessors, features a dazzling and untidy collection of found, handmade, and moving-image works: from doctored lenticular posters of human anatomy to idiosyncratic ceramic representations of everyday objects, all arranged around and within a deliriously complex 3D video installation. Read more on art agenda.LINEBREAK
As startups looks towards increasingly abstract schemes, where is the art that answers to today’s deeply networked structures? Read more on Frieze LINEBREAK
Trisha Baga at Greene NaftaliLINEBREAKMollusca & The Pelvic FloorLINEBREAKSeptember 14 – October 20, 2018LINEBREAKFor her third exhibition at Greene Naftali, Mollusca & the Pelvic Floor, Baga presents an installation comprising a wide-ranging landscape of ceramics in varying scales, as well as a new video installation. The exhibition’s eponymous central video examines language, technology, identity, and intimacy, through an expanding and contracting scope that ranges from galactic footage sourced from the sci-fi movie Contact, to video of intimate minutia such as Baga’s toes peeking out from a bathtub, an image echoed in a pair of small ceramic sculptures on the floor.LINEBREAK
The September issue of Texte zur Kunst focuses on Amerika (U.S. America principally): the land, the idea, and all that seems to come with it. What is Amerika today other than a contradiction between brute political reality and a largely fictional self-image, where fiction says as much about fact as “alternative facts” say about the truth? Purchase full online accessLINEBREAK
For the grand opening of the new Powerlong Art Centre in Hangzhou, Lu Yang presented a new and upgraded version of her Electromagnetic Brainology Live motion capture performance. The performance was presented during the opening ceremony of the centre alongside video installations of her work in a group exhibition title Nine Tomorrows curated by Yao Dajuin. Watch it on MetaObjects VimeoLINEBREAK
