
An Ice Palace in Queens – Bunny Rogers and Filip Olszewski on ‘Sister Unn’s

The fact that people couldn’t enter made it a diorama, it flattened it. In a way, it was like a real life Neopets gallery. (…) Read full interview on Rhizome.LINEBREAK
An Ice Palace in Queens – Bunny Rogers and Filip Olszewski on ‘Sister Unn’s
The fact that people couldn’t enter made it a diorama, it flattened it. In a way, it was like a real life Neopets gallery. (…) Read full interview on Rhizome.LINEBREAK
Visit Bunny Rogers’ installation at the New Museum as part of “The Art Happens Here: Net Art’s Archival Poetics”
”The Art Happens Here: Net Art’s Archival Poetics” features sixteen works from throughout net art history, showcasing a wide range of forms—websites, software, sculpture, graphics, books, and merchandise—while offering a space for considering the internet as social process, material infrastructure, and lived experience. Among the works on view is Sister Unn’s (2012), an installation by Bunny Rogers and Filip Olszewski based on a mysterious storefront in Queens that led passersby to an equally enigmatic website, exemplifying the links between real and virtual space. On view at New Museum, New York.LINEBREAK
Portrait Lu Yang, The Universe Is On Fire by Harry Burke
“Floating in a purplish, cloudy outer space, the avatar undergoes stereotaxy, a high-tech form of minimally incisive brain surgery, which gives her the consciousness and form of a god. But as the body’s audacious mutability is revealed, so is its fragility: the artist succumbs to death, and is whisked to the afterlife in an ornate, dust-churning hearse. A cartwheeling, distorted sound track by DJ Cavia666 escorts the video to its end…”LINEBREAKThis text appears in Spike #58. You can buy it in Spike online shop.LINEBREAK
How the military, a marathoner, and the relentless march of capitalism turned protein bars into an unlikely American staple.
Two cofounders of the algae-bar start-up Nonfood, artist Sean Raspet and writer Lucy Chinen, tell me that they see the protein-bar format as a way to introduce consumers to algae as an ecologically sustainable staple food.“In some of the ideas we had, when we were doing five things that were new, it got to be so people wouldn’t know what to do with it,” says Raspet, who worked as a flavorist for the notorious liquid-meal start-up Soylent before starting Nonfood. Read more on Topic.com.LINEBREAK
The Making of Rhizome’s Net Art Anthology: Petra Cortright’s VVEBCAM
Just as Cortright used the default effects that came with her camera, she also treated YouTube metadata as a readymade. She copied a string of terms often used by spam accounts on the platform, which were designed to draw in viewers who were trawling for titillating or offensive material, and pasted it into the keyword field for her own video. This led to numerous angry and confused commenters, with whom Cortright often engaged in all-out flame wars. Read more on Google Art and Culture.LINEBREAK
Future Shock! From Video Games to Art with Lu Yang at China Institute
Watch full talk on YouTube.LINEBREAK
Die Hölle brennt in Eiseskälte
Mit drei Ausstellungen ist Bunny Rogers in ihrer Heimat USA bekannt geworden, darin beschäftigte sie sich mit dem Columbine-Schulmassaker von 1999, die Künstlerin war zu diesem Zeitpunkt Mitte 20. Jetzt ist sie ein paar Jahre älter, derzeit Gastprofessorin an der Städelschule und hat für den besonderen Ort Zollamt des Museums für Moderne Kunst eine Installation erarbeitet, in der es zum ersten Mal überhaupt nicht um Columbine geht, wie sie selbst sagt. Read in German on Frankfurter Rundschau.LINEBREAK
Reales und Fiktion mischen sich immer mehr
Puh, das muss man erst mal verdauen, was Bunny Rogers meint: Die Erinnerung an den Lieblingszeichentrickfilm ist genauso real wie die Erinnerung an einen toten, geliebten Menschen. Ist der Tote etwa nicht persönlicher? Read in German on Main-Echo.LINEBREAK
The Art of the Internet, Restored and Out in the World – Bunny Rogers and Filip Olszewski, ‘Sister Unn’s’ (2011-12)
A show at the New Museum celebrates the completion of Rhizome’s Net Art Anthology, a two-year project to preserve and archive digital artworks that were in danger of disappearing. Read more about Bunny Rogers and Filip Olszewski’s Sister Unn’s project on New York Times.LINEBREAK
Die Tiefsee als Rückzugsort der Phantasie
Im „Zollamt“ des Museums für Moderne Kunst sind Arbeiten von Bunny Rogers zu sehen, einer außergewöhnlichen jungen Künstlerin. In ihrer Ausstellung fasziniert sie mit Wesen aus einer anderen Sphäre.LINEBREAKRead in German on Frankfurter Allgemeine.LINEBREAK
Lu Yang presents new work in the 12th Shanghai Biennale
The 12th Shanghai Biennale opens 10th November 2018 at the Power Station of Art in one of China’s largest urban centres. The exhibition features new work by Lu Yang in a dedicated gallery space on the 3rd floor of the Power Station of Art. Read more on s edition’s website.LINEBREAK
Timur Si-Qin: Forgiving Change, 2018 at High Line, New York
Timur Si-Qin (b. 1984, Berlin, Germany) creates artwork that posits advertising and commercial marketing as a result and extension of biology. Across his practice, Si-Qin works to combat essentialism—whether in branding, language, or nature itself. He often builds seemingly organic environments whose underlying industrial structures can be easily seen, thus calling into question the things we take for granted as “natural” or “unnatural.” For the High Line, Si-Qin presents Forgiving Change, aluminum casts of a burned tree branch from Pepperwood Preserve, which was the site of one of the many forest fires that crossed the west coast of North America in 2017.LINEBREAK
New York artist Trisha Baga resists authority with humor
Trisha Baga’s work in video and installation is a sustained inquiry into the possibility of disrupting art history—with the body, lived experience and identity. To be an artist is to both absorb that which has come before and to reject its claim to authenticity. Read more on CulturedMag.LINEBREAK
Goings on about town – Trisha Baga
A motley assortment of enchanting ceramic sculptures fills the first room of Baga’s installation “Mollusca and the Pelvic Floor.” A half-dozen glazed poodle heads accompany melting guitars, volcanic islands, and fossil-like abstractions; two busts—a self-portrait and a deft rendering of RuPaul—house virtual-assistant devices. Read more on New Yorker.LINEBREAK
Jeanette Mundt By Christian MacDonald
Read full interview on Interview’s website LINEBREAK
Enter The Wildly Imaginative World Of Artist Bunny Rogers
The multimedia artist Bunny Rogers blends fact and fiction in her works. Here, she shares her creative process and diverse influences—from cartoons to fashion. Read the full interview on Barneys’ The Window website.LINEBREAK
Zoë Lescaze on Jeanette Mundt at Greene Naftali
The real crime, however, was that these deadening works were hung near three inspired paintings by Jeanette Mundt, each depicting a gymnast torqueing through the air at Rio 2016 Olympics. (…)LINEBREAKPurchase full online accessLINEBREAK
Timur Si-Qin in Living Content Live hosted by Times Square Space, New York
LINEBREAKLINEBREAKLINEBREAKLINEBREAKOrganized by Living Content in partnership with Times Square Space, Living Content Live is a full day event consisting of talks, presentations, screenings, and performances, by some of the most thought-provoking contemporary artists, writers, and curators. Dealing with topics such as ecology, feminism, technology, and knowledge production, the featured speakers will present unique insights into their practices and their discourses. Read more on Living Content website LINEBREAKLINEBREAKLINEBREAKLINEBREAKLINEBREAK
Interview: Petra Cortright at Doota Plaza
Petra Cortright’s first public art installation in Korea currently on view at Doota Plaza, Seoul until 28th of October, 2018. Watch full interview with Petra on YouTube.LINEBREAK