SOCIÉTÉ

“[I’m quarantining in] New York. [My version of community right now consists of] my friends online, my friends on the phone. I’m having ups and downs. My motivation is shot. I’m just trying to take care of myself and the people I love.”. Read more on Garage Magazine.LINEBREAK

Bailey had been making experimental software video works since the early aughts but didn’t much explore internet-native video until he came across Petra Cortright, a deadpan idol of aughts net art, and her 2007 YouTube video “VVEBCAM.” Read more on Gizmodo.LINEBREAK

For her first solo exhibition with Team Gallery, Cortright filled the gallery’s Grand Street space with an immersive abstract landscape. Much like the ever-evolving Northern Lights, the focal installation borderline aurora borealis (2020) has many appearances. Read more on Artsy.LINEBREAK

“The name “Société,” according to Daniel Wichelhaus, fit the bill for “something that said ‘brand,’ but that almost meant nothing.” Yet it’s not such an inappropriate name for a place whose projects often merge art with everyday life. Read more on Cultured.LINEBREAK

A Milano la prima grande personale italiana di Trisha Baga, un viaggio multimediale profondamente femminile sulla memoria, lo spazio, la tecnologia e il tempo. Read in Italian on Vogue.itLINEBREAK

Watch the full video on YouTube.LINEBREAK

Sometimes romances are born of charming chance encounters and novelistic meet-cutes. Other times, they begin with two people drunk in a hot tub. The latter was the case for Petra Cortright and Marc Horowitz, two LA-based artists who have been together for seven years, married for four, and who recently welcomed a newborn baby. Read full interview on artnet news.LINEBREAK

With her Oscars performance last week, Billie Eilish’s captivating sensibility—hypersensitive, at once guarded and vulnerable, defiantly self-determined—may have reached its biggest mainstream audience to date. That sensibility—which one might describe as a generational thing—is also alive and well in art, specifically in the work of the artist Bunny Rogers. Read more on artnet news.LINEBREAK

Die Stimmung ihrer Arbeiten ist düster und schwermütig. Die 30-jährige Künstlerin setzt sich mit Trauerfällen und deren Verarbeitung auseinander. So stellt sie sich auch in ihrer Ausstellung im Bregenzer Kunsthaus im obersten Geschoss die Frage: “Kann man Trauer abwaschen?”. Read and watch in German on VOLT.at.LINEBREAK

In der Kunst von Bunny Rogers geht es um den Tod, Traumata und die Frage, wann kollektive Trauer zum Teil der globalen Unterhaltungsindustrie wird. Read in German on Der Standard.LINEBREAK

Bunny Rogers ist eine US-amerikanische Künstlerin und Poetin, straft das Vorurteil lügen, junge Künstlerinnen würden nicht beachtet. Die Kunstwelt nennt sie “Shooting Star”. Rogers hat keine Angst vor großen Formaten. Watch now on zdf.de.LINEBREAK

Die junge US-Künstlerin Bunny Rogers nähert sich der Unausweichlichkeit des Grauens – und zeigt, wieso wir besser zweimal hinsehen sollten. Read in German on kulturnews.de.LINEBREAK

Diese Woche eröffnet im Kunsthaus Bregenz die bislang größte Ausstellung der US-Künstlerin Bunny Rogers. Ein Treffen in ihrem Lieblingsgeschäft in New York, wo bei der Suche nach dem perfekten Stoffband der Gesprächsfaden nicht abreißt. Read in German on monopol-magazin.de.LINEBREAK

The artist, very much alive and turning thirty this month, has channeled her affective fixation on mourning and melancholia into an exhibition that will occupy the Kunsthaus Bregenz’s four mausoleum-like concrete floors—an appropriate setting for installations inspired by American funerals. Read more on Artforum.LINEBREAK

Next month, the Henie Onstad Art Center in Norway will hold its first triennial for photography and new media. The exhibition will feature new work by thirty-one international artists and will fill the entire ground floor of the museum. Read more on Artforum.LINEBREAK

The full interview is available now for Digital Download and Online Purchase – visit interview.de/shopLINEBREAK

Limp bodies lined the hallways of Essex Street Academy, a public high school on the Lower East Side of Manhattan, during Bunny Rogers’s Sanctuary. It was the first live performance by the artist, who is known for videos and installations that often employ cute objects with dark twists, complicating notions of innocence. Read full review on Art in America.LINEBREAK