Kaspar Müller – Fünf Figuren
Journal:
Virtuelle Unsterblichkeit
17 Shows to See in Europe in 2023, From a Survey of Yayoi Kusama’s Inflatables to the Largest Showcase of Vermeer’s Work Yet
THE TOP 5 CONTEMPORARY ART EXHIBITIONS OF 2022
Digital Reincarnation: LuYang NetiNeti
Vibrant Beings: Making Buddhist Art Today
Lu Yang’s DOKU – The Binary World
Marianna Simnett: “You get thrown into a world of monsters and have to claw your way out”
Athene verformt sich Marianna Simnett bei Société
Marianna Simnett in the newest Monopol Magazine
See the Freshly Commissioned Artworks That Meta Is Unveiling at Its Sprawling New Headquarters in New York’s Moynihan Station
Here Are 4 Astonishing Exhibitions Not to Miss During Berlin Art Week
Ideas are Slow to Die: ‘Bachelors’ at Société, Berlin
TRISHA BAGA: HOPE FRIDERICIANUM PUBLICATION
CULTURED: Marianna Simnett Explores Entanglement at the Venice Biennale and Beyond
IN CONVERSATION WITH MARIANNA SIMNETT
Zabludowicz Collection: Art Diary, Venice Biennale 2022 Day 3
METAL MAGAZINE: DIGITAL REBIRTH, LU YANG
Timur Si-Qin VR work at Art Basel Hong Kong
For Timur Si-Qin (born 1984), working with new media is second nature. “VR is a natural extension of my skill set,” he says. “I’ve used [it] for several years to plan my exhibitions and have worked with 3D software since I was a teenager.” Read more on Financial TimesLINEBREAK
Aesthetics of Contingency: Materialism, Evolution, Art
